欢迎光临
消费信息和情感交流_社会生活新闻

2019 ART TAIPEI 台北国际艺术博览会 大观艺术

热门搜寻台北当代艺术博览会艺术水墨个展雕塑当代拍卖会陈志诚国美馆北美馆艺术新闻全部新闻焦点新闻焦点人物国际新闻特别报导名家专栏艺术市场图辑报导展览活动专题报导艺术图书馆艺术史艺术家艺文影音艺术聚点画廊总览艺文单位艺术家艺术品线上艺廊画廊常见问题购物须知服务条款广告方案谘询免费展讯刊登电子报订阅焦点新闻艺廊当代艺术艺博会策展2019 ART TAIPEI 台北国际艺术博览会 大观艺术空间以「存在.轨迹:不曾具象的现实」探讨美学感知的可能性 Art Taipei大观艺术空间台北国际艺术博览会存在.轨迹:不曾具象的现实2019

2019-10-01|撰文者:大观艺术空间;非池中艺术网编辑整理

存在.轨迹:不曾具象的现实

任何时代出现的现代性接脱离不了信念的摧残与发现真实的「缺乏真实」,以及随之所创造的其他种种真实。

李欧塔Jean-François Lyotard

后现代主义的代表李欧塔在讨论马勒维奇的作品时,曾说「唯有透过使具象不得见的方式,我们才可以看见。」试图解放、呈现不可表象之物的存在。迄及当代,消费文化、物质主义的发达,数位影像、科技网路的流行,间接促使包含日常、景色、感官的现今生活现实被忽略。

这些被隐蔽之物,见诸于现实,却不曾具象出现;遗留下轨迹,却不曾真正存在,几成生活间不被正视的隙缝。此次大观艺术以「存在.轨迹:不曾具象的现实」主题,邀请李婷婷、郑丹珊、卓家慧三位女性艺术家以艺术创作的方式重掘真实。

李婷婷绘画作品由题材、技法、媒介、尺寸、颜色、形式等各层面去唤醒观者在日常生活熟悉化后的反制约反应,透过既熟悉又陌生、且不停在两端概念的游移中,促使观者对寻常物象产生异常想像,藉此营造出不同过往另一种美学的感知可能性。

李婷婷,山水-22,Ink on rice pape,51x67x5cm,2018。图/大观艺术空间提供

李婷婷,水晶灯,Ink on rice pape,204x235cm,2012。图/大观艺术空间提供

李婷婷,木马,Ink on rice pape,97x182cm,2014。图/大观艺术空间提供

郑丹珊善于感性刻画「自己的房间」,其未以自然肌理的陈旧主题作为重点,反以诸如衣物、饰品、烹煮器具等用品,甚而是普遍被隐而不现的私人盥洗卫浴用具等元素取而代之,构筑出属于个人现实生活的层层肌理。

郑丹珊,寄居,Chinese colour and ink on paper,46x137cm,2017。图/大观艺术空间提供

郑丹珊,密室107,Chinese colour and ink on paper,60x52cm,2016。图/大观艺术空间提供

郑丹珊,天台风光13A,Chinese colour and ink on paper,72x65cm,2017。图/大观艺术空间提供

卓家慧的笔下,取奇珍异兽的童话为衣饰、以图像创作的艺术为骨架。表面上虽以俏皮逗人的图像作为呈现,实则同时探索许多生命的哲思议题。每幅作品中展示出娑婆世界的众生景象,在隶属于自己生命支线中亦适逢各自的殊胜因缘。又如同庄周梦蝶般,探寻着物我世界中又究竟孰真孰幻。

卓家慧,时间的余韵,Ink and colour on silk,95x180cm,2017。图/大观艺术空间提供

卓家慧,梦・华 I,水墨设色金笺,50x50cm,2019。图/大观艺术空间提供

卓家慧,梦・华 II,水墨设色金笺 ,50x50cm,2019。图/大观艺术空间提供

在蔚为主流的后现代论述内,中心瓦解、正典消散,感知结构皆被解离。大观艺术空间则藉三位艺术家主题各异的作品,企图以不同方式探询、追索真实,呈现生活中「不曾具象的现实」。

Presence and Trajectory – the unpresentable reality

Modernity, in what age it appears, cannot exist without a shattering of belief and without discovery of the “lack of reality” of reality, together with the invention of the other realities. 

Jean-François Lyotard

Jean-François Lyotard states that “To present the fact that the unpresentable exists, to make visible that there is something which we can conceived and which can neither be seen nor made visible” whilst discussing the works of Kazimir Malevich, aiming to liberate and present the existence of the objects that cannot be presented. The development of consumerism and materialism as well as the popularisation of digital imagery and the internet in the contemporary let to the neglect of the reality of daily routines, sceneries and sentimentalities of one’s life.

These hidden matters occur on a daily basis yet are not presented figuratively; they have left their marks yet not really existed, creating gaps that are never addressed. Daguan Gallery presents the works by three female artists – Li Tingting, Cheng Tan Shan, Cheuk Ka Wai – with the exhibition titled “Presence and Trajectory – the unpresentable reality” to explore the reality of life.

The various elements such as subject, technique, medium, size, colour and form included in Li Tingting’s works are to encourage the audience to break away from the norm they recognise. Through crisscrossing between the familiar and the unfamiliar, the spectators are inspired to be imaginative and see endless possibilities in art.

Cheng Tan Shan takes inspiration from “A Room of One’s Own”, excluding traditional subjects and present household objects such as clothes, accessories and cookware in her works, as well as bath accessories and other personal items in her paintings, creating an intimate peek into the artist’s private life.

Cheuk Ka Wai creates an imaginary kingdom, beginning a journey to the mythical world with creatures from fairy tales and pictures generated with artistic merits, and contemplate on one’s life in boundless time. Under the surface of various endearing creatures lay the examination of philosophy of life. Each painting is the picture of the life of men, encountering what is meant to come in one’s life. On the other hand, just like Zhuang Zhou dreams of himself as a butterfly, can one really differentiate reality from illusion?

In the time of mainstream post-modernism, the centre collapses, the canons evaporate, and structured sensibilities break down. Through the variant works by these three artists, Daguan Gallery aims to explore and search for the “reality without figurative”.

大观艺术空间:【2019 Art Taipei 台北艺术博览会】存在.轨迹:不曾具象的现实

展期:2018-10-17 ~ 2018-10-21

地点:台北世界贸易中心展演一馆(台北市信义区信义路五段五号)展位:C06

参展艺术家:李婷婷,郑丹珊,张小黎,卓家慧

相关推荐